Giuseppe Maria Crespi

1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier
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Giuseppe Maria Crespi Saul Attacking David oil


Saul Attacking David
Painting ID::  51217 		Saul Attacking David
1710-15 Oil on canvas
1710-15_ Oil_on_canvas
   
   
     
Giuseppe Maria Crespi Searcher for Fleas oil


Searcher for Fleas
Painting ID::  52223 		Searcher for Fleas
c. 1730 Oil on canvas
c._1730_Oil_on_canvas
   
   
     
Giuseppe Maria Crespi Frau spielt Laute oil


Frau spielt Laute
Painting ID::  68457 		Frau spielt Laute
1700-1705 Oil on canvas 121.3 x 153.0
1700-1705_ Oil_on_canvas_ _121.3_x_153.0
   
   
     
Giuseppe Maria Crespi Jupiter Among the Corybantes (Korybantes), Kimbell Art Museum oil


Jupiter Among the Corybantes (Korybantes), Kimbell Art Museum
Painting ID::  68487 		Jupiter Among the Corybantes (Korybantes), Kimbell Art Museum
Source/Photographer Kimbell Art Museum
Source/Photographer_Kimbell_Art_Museum
   
   
     
Giuseppe Maria Crespi aeneas med sibyllan och charon oil


aeneas med sibyllan och charon
Painting ID::  70763 		aeneas med sibyllan och charon
1700-05 pa duk 127x129cm se
1700-05 pa_duk_127x129cm se
   
   
     
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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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